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  1. A Midsummer Night's Dream

    William Shakespeare
    Edited by John Ford
    Series Editor James H. Lake

    A Midsummer Night's Dream

    "This edition of A Midsummer Night's Dream is wonderfully lucid and thoughtful, offering supporting material that will appeal to readers from high school students to scholars. The introduction is especially thoughtful, offering, in addition to expected discussions of love, magic and imagination, an exploration of the theatrical history. The bibliography and filmography are both detailed and helpful, and the questions guide students to consider the play from many viewpoints without ever forcing an interpretation onto them."
         —Annalisa Castaldo, Widener University

  2. Alcestis, Medea, Hippolytus

    Translated by Diane Arnson Svarlien
    Introduction and Notes by Robin Mitchell-Boyask

    Alcestis, Medea, Hippolytus

    This new volume of three of Euripides' most celebrated plays offers graceful, economical, metrical translations that convey the wide range of effects of the playwright's verse, from the idiomatic speech of its dialogue to the high formality of its choral odes.

  3. All's Well That Ends Well

    William Shakespeare
    Edited by Kathleen Kalpin Smith
    Series Editor James H. Lake

    All's Well That Ends Well

    "Adding entirely new annotations to the text, providing a lucid overview of the play's production history, concluding with an instructive essay on a theatrical understanding of reading plays, and illustrated with suggestive film stills throughout, Kathleen Kalpin Smith's All's Well that Ends Well is a welcome edition to the New Kittredge Shakespeare series, richly setting the play in the context of stage and screen performance."
         —W. B. Worthen, Barnard College, Columbia University

  4. Andromache, Hecuba, Trojan Women

    Translated by Diane Arnson Svarlien
    Introduction and Notes by Ruth Scodel

    Andromache, Hecuba, Trojan Women

    Diane Arnson Svarlien’s translation of Euripides’ Andromache, Hecuba, and Trojan Women exhibits the same scholarly and poetic standards that have won praise for her Alcestis, Medea, Hippolytus. Ruth Scodel’s Introduction examines the cultural and political context in which Euripides wrote, and provides analysis of the themes, structure, and characters of the plays included. Her notes offer expert guidance to readers encountering these works for the first time.

  5. Antigone (Woodruff Edition)

    Translated, with Introduction and Notes, by Paul Woodruff

    Antigone (Woodruff Edition)

    “A lucid, well-paced translation, natural enough sounding in the dialogue to make a good acting version, and remarkably successful in making the choruses clear, lyrical, and yet part of the dramatic movement. Woodruff’s rendering of the choruses especially impresses me by the way he manages to render complex syntax and imagery of the original—often tangled and occasionally obscure in its allusiveness—into clear and genuinely poetic English.”
         —Joseph Russo, Haverford College

  6. Antony and Cleopatra

    William Shakespeare
    Edited by Sarah Hatchuel
    Series Editor James H. Lake

    Antony and Cleopatra

    "The New Kittredge Series is both a delight and a steal. Kittredge's textual authority, updated by eminent scholars sensitive to classroom needs and alert to staging choices, is once again available in these slim, elegant, inexpensive, user-friendly volumes. With lucid notes and incisive introductions geared especially to popular film versions, the series also offers an overview of both stage and film performances of each play. A must for any Shakespeare class."
         —Laury Magnus

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    Translated, with Notes, by Peter Meineck
    Introduction by Ian C. Storey

    Aristophanes 1: Clouds, Wasps, Birds

    Originally adapted for the stage, Peter Meineck’s revised translations achieve a level of fidelity appropriate for classroom use while managing to preserve the wit and energy that led The New Yorker to judge his Clouds “The best Greek drama we’ve ever seen anywhere,” and The Times Literary Supplement to describe his Wasps as “Hugely enjoyable and very, very funny.” A general Introduction, introductions to the plays, and detailed notes on staging, history, religious practice and myth combine to make this a remarkably useful teaching text.

  8. As You Like It

    William Shakespeare
    Edited by Patricia Lennox
    Series Editor James H. Lake

    As You Like It

    "Now, in the twenty-first century, Patricia Lennox broadens that understanding in her excellent edition of As You Like It where she draws on her knowledge of international film and television. She offers new meaning for modern readers who, while they savor Shakespeare’s language also understand visual signals from contemporary media."
         —Irene G. Dash, Hunter College, CUNY, retired

  9. Bacchae (Woodruff Edition)

    Translated, with Introduction and Notes, by Paul Woodruff

    Bacchae (Woodruff Edition)

    "[Woodruff’s translation] is clear, fluent, and vigorous, well thought out, readable and forceful. The rhythms are right, ever-present but not too insistent or obvious. It can be spoken instead of read and so is viable as an acting version; and it keeps the lines of the plot well focused. The Introduction offers a good survey of critical approaches. The notes at the foot of the page are suitably brief and nonintrusive and give basic information for the non-specialist."
         —Charles Segal, Harvard University

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    Edited and Translated, with an Introduction, by Wilt L. Idema
    and Stephen H. West

    Battles, Betrayals, and Brotherhood

     "Battles, Betrayals, and Brotherhood is a brilliant introduction to one of China’s best-loved heroic traditions. And of course the translations are wonderful—very lively!"
         —Katherine Carlitz, University of Pittsburgh

  11. Clouds (Meineck Edition)

    Translated, with Notes, by Peter Meineck
    Introduction by Ian C. Storey

    Clouds (Meineck Edition)

    "Since the appearance of Sommerstein’s very successful literal translation less than twenty years ago, there have been at least five further new published attempts at rendering the play into English. It is certainly a bold enterprise to introduce yet one more translation onto the scene, but Peter Meineck has risen well to the challenge. The translation is straightforward and idiomatic, as well as well-paced and funny. . . Ian Storey’s Introduction is perfect for undergraduates.”
         —Max Nelson, Bryn Mawr Classical Review

  12. Coriolanus

    William Shakespeare
    Edited by Jeffrey Kahan
    Series Editor James H. Lake


    "Professor Jeffrey Kahan's expertise in the history of Shakespearean acting complements Kittredge's lucid [introduction and text] to create an edition of Coriolanus that centers modern readers in the play’s performance. Kahan's introduction to the edition both recounts historical performances and carefully details recent directorial choices—choices that reappear in the course of his footnotes providing acting choices for key scenes. These notes, together with photographs of compelling performances, fix the reader's imagination firmly in the midst of Shakespeare’s chilling theatrical portrayal of Republican Rome. This highly accessible edition will prove invaluable for actors, students, and lovers of Shakespeare."
         —Cyndia Clegg, Pepperdine University

  13. Cymbeline

    William Shakespeare
    Edited by Hannah C. Wojciehowski
    Series Editor James H. Lake


    "The New Kittredge series is both a delight and a steal. Kittredge's textual authority, updated by eminent scholars sensitive to classroom needs and alert to staging choices, is once again available in these slim, elegant, inexpensive, user-friendly volumes. With lucid notes and incisive introductions geared especially to popular film versions, the series also offers an overview of both stage and film performances of each play. A must for any Shakespeare class."
         —Laury Magnus, Contributing Editor, New Kittredge Shakespeare and

  14. Doctor Faustus (Lake & Ribner Edition)

    Christopher Marlowe
    Edited by James H. Lake and Irving Ribner

    Doctor Faustus (Lake & Ribner Edition)

    An annotated version of Doctor Faustus, with modernized spelling and punctuation, of the 1616 B-text. James H. Lake's Introduction discusses the play’s historical and dramatic contexts, but focuses on its performance history from the Elizabethan era to our own, including film productions. Textual notes discuss variations between the A and B texts. Interviews with Ralph Alan Cohen of Shenandoah Shakespeare and Andreas Teuber (Mephistopheles in the Richard Burton production) as well as illustrations from theatre and film performances included.

  15. Doctor Faustus: With The English Faust Book

    Christopher Marlowe
    Edited, with Introduction and Notes, by David Wootton

    Doctor Faustus: With The English Faust Book

    "This is an excellent edition; I really appreciate the clear Introduction and the exceptionally useful notes.  I look forward to using this text with a freshman literature class who will really benefit from the helpful textual apparatus."
         —Charlotte England, Department of English, Salisbury University

  16. Edward II

    Christopher Marlowe
    Edited, with Introduction and Notes, by Stephen J. Lynch

    Edward II

    "This exciting new edition of Edward II is indeed reader friendly. Of particular distinction are the introductory sections which include a thorough account of Marlowe's biography, a fresh critical examination of the play, plus a bibliography for further reading; a wise consideration of the date and text; and extensive annotations, especially helpful to students who have difficulties with the language. Of special value to both students and scholars are the Related Texts that follow the text of the play: three sections of documentary evidence on historical sources; power and politics; and love, friendship, and homoeroticism—all vital to an understanding of the play. No previous edition of the play manages to encompass so much."
         —Robert A. Logan, University of Hartford

  17. Electra, Phoenician Women, Bacchae, & Iphigenia at Aulis

    Translated, with Notes, by Cecelia Eaton Luschnig and Paul Woodruff, Introduction by Cecelia Eaton Luschnig

    Electra, Phoenician Women, Bacchae, & Iphigenia at Aulis

    The four late plays of Euripides collected here, in beautifully crafted translations by Cecelia Eaton Luschnig and Paul Woodruff, offer a faithful and dynamic representation of the playwright’s mature vision.

  18. Faust: The First Part of the Tragedy

    Johann Wolfgang von Goethe
    Translated, with an introduction and notes, by Margaret Kirby

    Faust: The First Part of the Tragedy

    "Kirby reproduces in simple, clear English—and almost always line for line—the meaning of Goethe's German text, with metrical variations that evoke the shifting meters of the original."
          —Jane Brown, University of Washington

  19. Five Comedies

    Plautus and Terence
    Translated by Deena Berg and Douglass Parker

    Five Comedies

    "This is a book worthy of high praise. . . . All versions are exceedingly witty and versatile, in verse that ripples from one’s lips, pulling all the punches of Plautus, the knockabout king of farce, and proving that the more polished Terence can be just as funny. Accuracy to the original has been thoroughly respected, but look at the humour in rendering Diphilius’ play called Synapothnescontes as Three’s a Shroud. . . . Students in schools and colleges will benefit from short introductions to each play, to Roman stage conventions, to different types of Greek and Roman comedy, and there is a note on staging, with a diagram illustrating a typical Roman stage and further diagrams of the basic set for each play. The translators have paid more attention to stage directions than is usually given in translations, because they aim to show how these plays worked. This is a book to be used and enjoyed.”
         —Raymond J. Clark, The Classical Outlook

  20. Four Plays and Three Jokes

    Anton Chekhov
    Translated, with an Introduction and Notes, by Sharon Marie Carnicke

    Four Plays and Three Jokes

    This volume offers lively and accurate translations of Chekhov's major plays and one-acts (complete contents listed below) along with a superb Introduction focused on the plays' remarkably enduring power to elicit the most widely divergent of responses, the life of the playwright in its historical and aesthetic contexts, suggestions for reading the plays "under a microscope," and notes designed to bring Chekhov's world into immediate focus—everything needed to examine his drama with fresh eyes and on its own artistic terms. Three Jokes: The Bear, The Proposal, The Anniversary. The Major Plays: The Seagull, Uncle Vanya, Three Sisters, The Cherry Orchard.

  21. Four Tragedies

    Translated, with Introduction and Notes, by Peter Meineck and Paul Woodruff

    Four Tragedies

    Meineck and Woodruff's new annotated translations of Sophocles' Ajax, Women of Trachis, Electra, and Philoctetes combine the same standards of accuracy, concision, clarity, and powerful speech that have so often made their Theban Plays a source of epiphany in the classroom and of understanding in the theatre.  Woodruff's Introduction offers a brisk and stimulating discussion of central themes in Sophoclean drama, the life of the playwright, staging issues, and each of the four featured plays.

  22. Frogs

    Translated, with Introduction and Notes, by Jeffrey Henderson


    "Overall . . . I find this translation of the Frogs to be entertaining and very readable. Furthermore, Henderson's comprehensive introduction makes this translation quite useful for general readers or students at any level."
        —Erin K. Moodie, Bryn Mawr Classical Review

  23. Hamlet

    William Shakespeare
    Edited by Bernice W. Kliman and James H. Lake
    Series Editor James H. Lake


    "Shakespeare scholars Bernice W. Kliman and James H. Lake have carried out the important task of not only bringing up to date the text of Hamlet as edited in the last century by the celebrated Shakespearean George Lyman Kittredge but also retaining its significant features. The editors' discerning analyses of performances by Mel Gibson, Kenneth Branah, Michael Almereyda, and Simon Russell Beale drive home the point that Hamlet today remains alive but restless and unpredictable. It exemplifies Ben Johnson's Shakespeare, who '. . . was not of an age, but for all time!'"
         —Kenneth Sprague Rothwell, (1921-2010), was Professor Emeritus, University of Vermont

  24. Hecuba

    Translated, with Introduction and Commentary, by Robin Mitchell-Boyask


    Euripides Hecuba is one of the few tragedies that evoke a sense of utter desolation and destruction in the audience. The drama focuses on the status of women, those who are out of power and at the margins of society, by enacting the sufferings of Hecuba. With the city of Troy fallen, Hecuba and Polyxena, her daughter, are enslaved to Agamemnon. Hecuba is despondent with the news that Polyxena is chosen to be sacrificed at the tomb of Achilles. After the sacrifice, the body of her son Polydorus, already a ghost at the start of the drama, is discovered. Polymestor, a king in Thrace who Hecuba sent Polydorus to for safety reasons, murdered Polydorus for his gold. With the tacit complicity of Agamemnon, Hecuba plots her revenge against Polymestor. What transpires next has lasting implications for all involved, including a dramatic trial scene and Hecubas ultimate metamorphosis.

  25. Heracles

    Edited by Michael Halleran


    Euripides' Heracles is an extraordinary play, innovative in its treatment of the myth, bold in its dramatic structure, and filled with affective human pathos. The play tells a tale of horror: Heracles, the greatest hero of the Greeks, is maddened by the gods to murder his wife and children. But this suffering and divine malevolence are leavened by the friendship between Heracles and Theseus, which allows the hero to survive this final and most painful labor. The Heracles raises profound questions about the gods and mortal values in a capricious and harsh world. 

  26. Julius Caesar

    William Shakespeare
    Edited by Sarah Hatchuel
    Series Editor James H. Lake

    Julius Caesar

    "The New Kittredge Series is both a delight and a steal. Kittredge's textual authority, updated by eminent scholars sensitive to classroom needs and alert to staging choices, is once again available in these slim, elegant, inexpensive, user-friendly volumes. With lucid notes and incisive introductions geared especially to popular film versions, the series also offers an overview of both stage and film performances of each play. A must for any Shakespeare class."
         —Laury Magnus

  27. King Henry the Sixth: Parts I, II, and III

    William Shakespeare
    Edited by Annalisa Castaldo
    Series Editor James H. Lake

    King Henry the Sixth: Parts I, II, and III

    George Lyman Kittredge's insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials.

  28. King John & Henry VIII

    William Shakespeare
    Edited by James H. Lake, Courtney Lehmann, and Jane Wells
    Series Editor James H. Lake

    King John & Henry VIII

    "This is a terrific edition that really brings King John and Henry VIII to life. Consistently inviting student participation, the edition makes the plays wonderfully accessible, through explanations of the language, descriptions of context, topic guides, plot outlines, illustrations, and genealogies. A particular strength is the emphasis on performance. Thanks to the insightful histories provided, King John and Henry VIII are richly illuminated as stage and screen creations, allowing for genuinely imaginative engagement with these most fascinating Shakespearean dramas."
         —Ramona Wray, Reader in English at Queen's University, Belfast

  29. King Lear

    William Shakespeare
    Edited by Kenneth S. Rothwell
    Series Editor James H. Lake

    King Lear

    "By adding comments on recorded performances to Kittredge's notes . . . [which] were fun and helpful to my early study of Shakespeare . . . Kenneth Sprague Rothwell gives students and researchers the means to explore how performance can elucidate 'the script' of King Lear."
         —Harry Keyishian, Fairleigh Dickinson University

  30. King Richard II

    William Shakespeare
    Edited by Thomas A. Pendleton
    Series Editor James H. Lake

    King Richard II

    "An extraordinary artistic achievement, Richard II remains one of Shakespeare's most satisfyingly ambiguous plays and expertly-penned exercises in shifting audience sympathies. Pendleton's even-handed introduction and judicious supplements to Kittredge's annotations lay out the play's issues in a way that make its delightful poignancy even more available to readers. Especially useful are Pendleton’s extensive in-text performance notes, which recount how film versions deal with the challenges and possibilities the play presents."
         —James Wells, Muskingum University

  31. King Richard the Third

    William Shakespeare
    Edited by Jacquelyn Kilpatrick
    Series Editor James H. Lake

    King Richard the Third

    "In this splendid edition, Jacquelyn Kilpatrick gives us a comprehensive primer on Shakespeare's performance craft and an ideal text for teaching Richard III, particularly to students new to Shakespeare. Her introductory materials make a century of scholarship and filmmaking both accessible to the newcomer and illuminating for the experienced student or performer. Her keen understanding of the original performance circumstances of Shakespeare's plays and insightful accounts of salient stage and film productions work together to open up the rich array of possibilities and choices in performance, both then and now."
         —Catherine S. Burriss, California State University, Channel Islands

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    Heinrich Von Kleist
    Edited and Translated by David Constantine

    Kleist: Selected Writings

    “If ever a literary work was a sleep of reason, bruised by menacing shapes, it is Kleist’s. He was one of the first of a line of German writers whose inwardness is so intense it seems to dissolve the weak bonds of his society. . . . Even as order and paternalism struggled to assert themselves in the private and public life of the nineteenth century, Kleist was introducing scenes of mob violence, cannibalism, and less than benevolent fathers. . . . David Constantine, a distinguished poet and Germanist, and a translator of Hölderlin, has taken pains to give us a literary Kleist, ‘a writer we cannot do without.’ . . . This book, containing all the stories and three key plays, provides a compelling view of a misfit genius who, in one of his last notes, remarked ‘the world is a strange set-up.’”
         —Iain Bamforth, The Times Literary Supplement

  33. La casa de Bernarda Alba

    Federico García Lorca
    Edited by Paola Bianco and Antonio Sobejano-Morán

    La casa de Bernarda Alba

    Federico García Lorca's 1945 drama is set in a small Spanish village, where the five daughters of a tyrannical mother struggle against her strict control. The play explores themes of repression, passion, and conformity, and the effects of love upon men upon women. This edition is designed to help students approach the original Spanish text through an introductory essay, vocabulary and cultural notes, and study questions. All material is in Spanish, and complete in one volume, appropriate as an introductory text for Spanish language courses in literature and culture.

  34. Love's Labour's Lost

    William Shakespeare
    Edited by Jill P. Ingram
    Series Editor James H. Lake

    Love's Labour's Lost

    "This student-friendly edition of a difficult play includes a clear, helpful introduction and notes elucidating the complicated imagery and wordplay. Notes and illustrations refer the reader to various staging options enabling him or her to imagine Love’s Labour’s Lost in performance."
         —Katharine E. Maus, James Branch Cabell Professor of English Literature, University of Virginia

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    Translated, with Introduction, Notes, and Commentaries, by Sarah Ruden

    Lysistrata (Ruden Edition)

    "Presents a readable, clear translation with the assistance students will need to understand this play and the society that produced it. . . . A worthy addition to Hackett's growing series of translations of classical literature in accessible editions."
         —Anne Mahoney, New England Classical Journal

  36. Macbeth

    William Shakespeare
    Edited by Annalisa Castaldo
    Series Editor James H. Lake


    "Seventy years after their publication, George Lyman Kittredge's editions of Shakespeare remain exceptional for the combination of learning, acuity, wit, and clarity he brings to his notes on the plays. Annalisa Castaldo makes Kittredge's Macbeth even more useful for modern readers by skillfully streamlining Kittredge's annotations and adding helpful analyses of the play and its film productions. There is no better edition of Shakespeare for students, beginning or advanced."
         —Dr. James Wells

  37. Measure for Measure

    William Shakespeare
    Edited by Bernice W. Kliman and Laury Magnus
    Series Editor James H. Lake

    Measure for Measure

    "This most problematic of Shakespeare's plays, a comedy filled with dark corners, has been beautifully presented by Laury Magnus and the late Bernice Kliman. Scholars will admire their editorial skill while students will benefit greatly from their ample notes, useful timeline of the play's plot, and cogent performance history. As the editors explain, the fiercely interlocked themes of the play—sex, money, justice, and religion—make this play a measure not only of Shakespeare's time but of our own."
         —Anthony DiMatteo, New York Institute of Technology

  38. Medea (Podlecki Edition)

    Translated, with an Introduction and Notes, by Anthony Podlecki

    Medea (Podlecki Edition)

    English translation. Includes essays on the play's mythical background and the work of Euripides, an introduction to Greek drama and the dramatic tradition, plot summaries and suggestions for further reading. For both students and the general reader.

  39. Medea (Svarlien Edition)

    Translated by Diane Arnson Svarlien
    Introduction and Notes by Robin Mitchell-Boyask

    Medea (Svarlien Edition)

    "This is the Medea we have been waiting for.  It offers clarity without banality, eloquence without pretension, meter without doggerel, accuracy without clumsiness.  No English Medea can ever be Euripides', but this is as close as anyone has come so far, and a good deal closer than I thought anyone would ever come.  Arnson-Svarlien has shown herself exceedingly skillful in making Euripides sound Euripidean."
         —David M. Schaps, Bryn Mawr Classical Review

  40. Medea, Hippolytus, Heracles, Bacchae

    Edited by Stephen Esposito

    Medea, Hippolytus, Heracles, Bacchae

    Drawn from four titles in the Focus Classical Library, this anthology includes four outstanding translations of plays by Euripides as well as a general introduction, extensive footnotes, and two interpretive essays. Included are Anthony J. Podecki’s translation of Medea, Michael R. Halleran's translation of Hippolytus and Heracles and Stephen Esposito’s translation of Bacchae.

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    Edited by David Bevington

    Medieval Drama

    This reprint (with updated 'Suggestions for Further Reading') of the Houghton Mifflin edition makes David Bevington's classic anthology of medieval drama available again at an affordable price.

  42. Monks, Bandits, Lovers, and Immortals

    Edited and Translated, with Introduction, by Stephen H. West & Wilt L. Idema

    Monks, Bandits, Lovers, and Immortals

     "This magnificent collection of eleven early [1250–1450] Chinese plays will give readers a vivid sense of life and a clear understanding of dramatic literature during an extraordinarily eventful period in Chinese history. Not only are the eleven plays in this volume expertly translated into lively, idiomatic English; they are each provided with illuminating, scholarly introductions that are yet fully intelligible to the educated lay reader. A marvelous volume."
         —Victor Mair, University of Pennsylvania

  43. Much Ado About Nothing

    William Shakespeare
    Edited by Peter Kanelos
    Series Editor James H. Lake

    Much Ado About Nothing

    "Kittredge's admirably full notes, supplemented by Peter Kanelos's user-friendly introduction and references to film and television versions of the play, add up to a very accessible edition. I particularly liked the discussion of 'How to read Much Ado as performance,' which opens up a lot of possibilities for the student and teacher."
         —Lois Potter, Ned B. Allen Professor Emeritus, University of Delaware

  44. Odysseus at Troy

    Edited by Stephen Esposito

    Odysseus at Troy

    Odysseus at Troy is centered on the mythological Greek warrior, Odysseus, hero of the Trojan War. This book contains three plays: Sophocles' Ajax, Euripides' Hecuba, and Euripides' Trojan Women. The plays are complete, with notes and introductions for each. An additional introduction to the volume gives background on this popular theme, and on Ajax, one of the most written-about hero in Greek literature. 

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    Translated, with Introduction and Notes, by Peter Meineck and Paul Woodruff

    Oedipus Tyrannus

    "A clear, vigorous, spare, actable translation, and with it, excellent apparatus (Intro., notes, bibliography); all in a slim and affordable volume. I will use when I next teach Oedipus. Hackett is an invaluable resource!”
         —Rachel Hadas, Rutgers University

  46. Oidipous at Colonus

    Translated, with Introduction and Essay, by Ruby Blondell

    Oidipous at Colonus

    This is an English translation of Sophocles' tragedy of Oedipus who is banished from Thebes and confronts an array of obstacles that stand between him and the death he craves. Focus Classical Library provides close translations with notes and essays to provide access to understanding Greek culture. Includes maps, essays and suggestions for further reading.

  47. Oresteia

    Translated, with Notes, by Peter Meineck
    Introduction by Helene P. Foley


    “Peter Meineck’s new rendition of the Oresteia is that rare and wonderful thing: a text accessible to the Greekless audience while still preserving the vocabulary of Aeschylus. Those of us who have seen Peter Meineck's performances have long marveled at his ability to turn Greek into clear English, how he does not do ‘versions’ of the plays, how he does not rewrite the ancients into modern jargon (even his comedies maintain more Aristophanic text than is usual). Here lines that students have always needed explicated stand clear. . . . Helene Foley has provided a fine introduction for this translation. Introduction and translation together provide an exciting text, one that should be widely read, widely used.”
         —Karelisa Hartigan, University of Florida, in The Classical Outlook

  48. Othello, The Moor of Venice

    William Shakespeare
    Edited by Gretchen Schulz
    Series Editor James H. Lake

    Othello, The Moor of Venice

    "This is an edition of Othello whose conversational introduction and unobtrusive but thorough notes will make the first-time visitor to the text an expert on the play. By keeping her own focus on the issue of performanceincluding her nuanced descriptions of the major filmseditor Gretchen Schulz not only helps readers see Othello in the theatre of the imagination, she helps them to direct it as well."
         —Ralph Alan Cohen, American Shakespeare Center, Co-founder and Director of Mission; Gonder Professor of Shakespeare, Mary Baldwin College

  49. Pericles, Prince of Tyre

    William Shakespeare
    Edited by Jeffrey Kahan
    Series Editor James H. Lake

    Pericles, Prince of Tyre

    "Kahan has presented the performance and printing issues with directness and clarity, leaving many technical details that might discourage some students to the footnotes. The result is a very readable "Introduction" to one of Shakespeare's late romances."
         —Stanley Stewart, Distinguished Professor of English, University of California, Riverside

  50. Philoctetes

    Translated, with Introduction and Notes, by Peter Meineck and Paul Woodruff


    "Peter Meineck has given us a superbly vivid rendering of the play, informed throughout by his practical experience in the theater. His is a Philoctetes that is supremely alive, from start to finish. . . . [I]deal for classroom use. . . . accompanied by a new and thoughtful introduction from philosopher and classicist Paul Woodruff. Woodruff anchors the play in the complex web of fears and anxieties of 409 BCE, as both Sophocles' life and Athens' imperial heyday drew to a close. . . . [A]n exceptionally fine work of translation and scholarship that will go far toward demolishing dismissals of the play as inaccessible or unengaging for the modern reader. Sophocles, Meineck and Woodruff eloquently remind us, speaks to every age, not least our own."
         —Thomas R. Keith, Loyola University Chicago in CJ-Online

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