Table of Contents for:
Persuasion: History, Theory, Practice
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Note to Students, Note to Readers in General
INTRODUCTION:
What Is This Book About?
Why Study Persuasion?
CHAPTER 1: ASSESSING PERSUASIVE ACTS:
Reading with and against the Grain
Logic:
Deductive reasoning—think geometry
Inductive reasoning—think empirical science
Common errors in reasoning
Toulmin's Model of Argumentation
Critical Thinking:
Checklist for assessing eyewitness testimony
Checklist for assessing arguments based on sources (authority)
Checklist for assessing the credibility of websites
Checklist for assessing arguments based on survey data
Cognitive Biases
CHAPTER 2: PRODUCING PERSUASIVE ACTS:
The Persuasion Process:
The presentation of self
Ethos
Good character
Good sense
Goodwill
Ethos and writing assignments
Autobiography as self-rhetoric and the rhetoric of the self
The presentation of others
Characterization
Bios
The traditional topics of bios
Stereotypes
Audience analysis (demographics)
Personas
The creation of pseudoaudiences (astroturfing)
Why knowing your audience matters and what it means
Creating a virtual audience
Emotion, Reason, and Persuasion:
The emotion/reason false dichotomy
The social construction of emotions
The influence of emotions can be monitored and mitigated (and exploited)
Assessing your emotional involvement
Common emotional strategies
Positive emotions
Asynchronous persuasion and emotions
CHAPTER 3: THE FIVE CANONS OF RHETORIC:
Invention:
Dialectic
An example of Platonic dialectic:
Notes on Gorgias and dialectic
Dialectical topics—argumentative heuristics:
The basic rules of inference
Dialectical invention, the non-conversational form
Summary
A parody of dialectic from Rosencrantz and Guildenstern Are Dead
Transition from dialectic to topics:
Topics
Aristotle's general topics of the preferable
The topics of praise and blame
Topics of interpretation
Topics of last resort
Summary
Stasis:
What is an issue?
Asystasis—non-issues
Framing
Frame-breaking strategies
Commonplaces
Signs
Proverbs, maxims, aphorisms: On the origin of sound bites
Summary of invention
Arrangement:
Introduction (exordium)
Division (partitio)
Background (narratio)
Confirmation (conformatio)
Refutation (refutatio)
Conclusion (peroration)
Style:
Diction
God and devil terms
Positive, negative, neutral language
Figures of speech
The editing checklist
What's the opposite of plain?
Editorial strategies for producing a plain style
Memory:
Origins of the art of memory
Mnemonics
Backgrounds and images
Segmented hypergraphics—image maps
Plato and memory and writing
Delivery:
Body language
Common gestures and how they are commonly interpreted in the Western world
Putting the Canons to Work: From Writing Process to Rhetorical Practice:
When someone gives you an assignment
Revising
Before you turn in an assignment
Presentations: Putting the show in show and tell
Slides and the persuasion process
Practice (rehearsal)
Be prepared
Anxiety—stage fright
Strategies for dealing with stage fright
CHAPTER 4: EVIDENCE-CENTERED FORMS OF PERSUASION:
Academic Argumentation:
The blueprint for academic arguments
Assertion
Proof
Evidence
Modality
How much proof do you need?
Common argumentative errors
Putting it together
Introduction
Don't bury the lead
Interior paragraphs
Conclusion
Plagiarism:
Cross-examination
Interrogation
Body language and deception—tells
Two approaches: Ingratiation and intimidation
Examination versus cross-examination
Irving Younger's 10 Commandments
Alternatives to cross-examination
Decision making: Deliberation, justification, and intuition:
Deliberation
Justification
Intuition—pattern recognition
Steps for generalized decision making:
Basic deliberative pattern: Problem—solution
Problem
Solution
The setting matters
The role of luck
The sources of bad decisions
Learned helplessness
Probabilities
Negotiation and sales
Negotiation
Research is crucial
Price and cost
You are always negotiating with yourself
Negotiation basics
Ready, set, negotiate
The rhetoric of retail:
Psychological math—shell games with numbers
Common sales techniques
Forms of indirect marketing
Narrative:
Elements of a persuasive story
Humor
The dark side:
Power and persuasion
Ingratiation
Allegory
Clairvoyance: The art of cold reading
Machiavellian rhetoric
CHAPTER 5: CONCLUSION:
Character Traits of the Rhetor
Glossary
Appendix: Selections on Rhetoric and Writing from Plato and Aristotle
Suggested Reading
Works Cited
Index