Julius Caesar

"The New Kittredge Series is both a delight and a steal. Kittredge's textual authority, updated by eminent scholars sensitive to classroom needs and alert to staging choices, is once again available in these slim, elegant, inexpensive, user-friendly volumes. With lucid notes and incisive introductions geared especially to popular film versions, the series also offers an overview of both stage and film performances of each play. A must for any Shakespeare class."
     —Laury Magnus

SKU
27587g

William Shakespeare
Edited by Sarah Hatchuel
Series Editor James H. Lake

2008 - 142 pp.
Imprint: Focus, Series: New Kittredge Shakespeare

Grouped product items
Format ISBN Price Qty
Paper 978-1-58510-260-0
$8.95
Instructor Examination (Review) Copy 978-1-58510-260-0
$1.00

George Lyman Kittredge's insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials.

These plays are being made available by Focus with the permission of the Kittredge heirs.


Reviews:

"The New Kittredge Series is both a delight and a steal. Kittredge's textual authority, updated by eminent scholars sensitive to classroom needs and alert to staging choices, is once again available in these slim, elegant, inexpensive, user-friendly volumes. With lucid notes and incisive introductions geared especially to popular film versions, the series also offers an overview of both stage and film performances of each play. A must for any Shakespeare class."
     —Laury Magnus


About the Author:

Sarah Hatchuel lectures in English at the University of Paris I Pantheon-Sorbonne and teaches "Shakespeare on Screen" at the University of Paris VII. She co-organized two conferences on the screen adaptations of Shakespeare’s plays at the University of Rouen, has published several articles on the aesthetics of Shakespeare on screen, and is the author of A Companion to the Shakespearean Films of Kenneth Branagh (2000) and Shakespeare, from Stage to Screen (Cambridge, 2004).

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