King Richard the Third

"In this splendid edition, Jacquelyn Kilpatrick gives us a comprehensive primer on Shakespeare's performance craft and an ideal text for teaching Richard III, particularly to students new to Shakespeare. Her introductory materials make a century of scholarship and filmmaking both accessible to the newcomer and illuminating for the experienced student or performer. Her keen understanding of the original performance circumstances of Shakespeare's plays and insightful accounts of salient stage and film productions work together to open up the rich array of possibilities and choices in performance, both then and now."
     —Catherine S. Burriss, California State University, Channel Islands

SKU
27601g

William Shakespeare
Edited by Jacquelyn Kilpatrick
Series Editor James H. Lake

2011 - 174 pp.
Imprint: Focus, Series: New Kittredge Shakespeare

Grouped product items
Format ISBN Price Qty
Paper 978-1-58510-271-6
$8.95
Instructor Examination (Review) Copy 978-1-58510-271-6
$1.00

George Lyman Kittredge's insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials.

These plays are being made available by Focus with the permission of the Kittredge heirs.


Reviews:

"In this splendid edition, Jacquelyn Kilpatrick gives us a comprehensive primer on Shakespeare's performance craft and an ideal text for teaching Richard III, particularly to students new to Shakespeare. Her introductory materials make a century of scholarship and filmmaking both accessible to the newcomer and illuminating for the experienced student or performer. Her keen understanding of the original performance circumstances of Shakespeare's plays and insightful accounts of salient stage and film productions work together to open up the rich array of possibilities and choices in performance, both then and now."
     —Catherine S. Burriss, California State University, Channel Islands


About the Author:

Dr. Jacquelyn Kilpatrick received her B.A. and M.A. degrees from California State University Fresno and her Ph.D. in Literature from the University of California Santa Cruz. She has extensive experience teaching a broad range of literature, film and drama, and her major field of research is Native American Literature. Her other interests include environmental issues and cultural renewal and preservation. She comes to CSUCI from the Chicago area, where she taught English and directed the Integrative Studies program at Governors State University. She has also served as a Fulbright Senior Scholar in Spain.