New in Theatre and Film Studies

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  1. A Younger Ten

    Gary Garrison

    In A Younger Ten: Writing the Ten-Minute Play, Gary Garrison distills the playwriting guidance pioneered in his widely consulted Perfect Ten (2001) and A More Perfect Ten (2008), here recast for the needs of aspiring ten-minute playwrights at the high school level. Not satisfied with merely telling how such a play is crafted, Garrison includes a new all-star lineup of eight complete ten-minute plays by a variety of playwrights, emerging as well as established, that can serve as models for writers just starting out in the genre.

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  2. Contemporary French Cinema

    Alan J. Singerman and Michèle Bissière

    Like its French-language companion volume Le Cinéma français contemporain: Manuel de classe, Alan Singerman and Michèle Bissière's Contemporary French Cinema: A Student's Book offers a detailed look at recent French cinema through its analyses of twenty notable and representative French films that have appeared since 1980. Sure to delight Anglophone fans of French film, it can be used with equal success in English-language courses and, when paired with its companion volume, dual-language ones.

    Clips from each film covered in the textbook are available to qualified instructors in a password protected Vimeo collection. Instructors wishing to access clips from the films for course use may request access by using the online form here. The film clip request page also includes a complete list of the films covered.

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  3. German Culture through Film (Second Edition)

    Robert C. Reimer, Reinhard Zachau, with contributions from Margit M. Sinka

    German Culture through Film: An Introduction to German Cinema is an English-language text that serves equally well in courses on modern German film, in courses on general film studies, in courses that incorporate film as a way to study culture, and as an engaging resource for scholars, students, and devotees of cinema and film history. In its second edition, German Culture through Film expands on the first edition, providing additional chapters with context for understanding the era in which the featured films were produced. Thirty-three notable German films are arranged in seven chronological chapters, spanning key moments in German film history, from the silent era to the present.

    For additional film resources visit Reinhard Zachau's German film website.

    Download a PDF of the Table of Contents, with the full list of films covered in the book.

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  4. Stage Directing (Second Edition)

    Michael Wainstein

    In Stage Directing: A Director's Itinerary, the student of theatrical directing will find a step-by-step guide to directing a production, from choosing a play to opening night. Unlike other directing textbooks, it provides practical advice on organizing tasks throughout the directorial process, including budgeting, writing casting notices, and auditioning. It moreover includes an abundance of helpful examples and tried-and-true exercises, as well as information on how to organize a director’s documents into a production notebook.

    The second edition builds on the strengths of the first edition by elaborating on key analytical, organizational, and strategic steps in a successful director’s itinerary, with special attention to the direction of musicals.

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  5. The Persuasive Actor

    Milan Dragicevich

    "No book can teach anyone how to speak, but the lessons herein, practically applied, will help everyone who reads it become a better actor, speaker, and communicator. This is an exciting, invigorating book which will be required reading for all my acting students. I predict it will become a celebrated text of great worth to educators and students." —Murray McGibbon, Department of Theatre, Drama, and Contemporary Dance, Indiana University, Bloomington

    "A must-have for all actors who encounter speeches that are longer than three sentences. On the surface, that would be classic works from Sophocles through Shakespeare—with the 17th and 18th centuries thrown in. Dig deeper and the book’s value to actors of modern and contemporary drama is inescapable. Ibsen, Shaw, Williams, Miller, Shepard, Wilson, Kushner, and Suzan-Lori Parks all wrote plays that are filled with powerful rhetorical devices that demand lively, thorough, and specific consideration. This book is a guide that unfolds the mysteries of classical rhetoric in a clear, concise, and effective manner, a book for speakers who want to move their audiences. It is aimed at actors, but also belongs on the shelf of lawyers, advertising copywriters, and, of course, public officials. I will use it in my classes and workshops and enthusiastically recommended it to all actors and actor trainers."
     —Leslie Reidel, Department of Theatre, University of Delaware

    Listen to Milan Dragicevich discuss The Persuasive Actor on The State of Shakespeare podcast (September 2020).

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