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  1. A Midsummer Night's Dream

    William Shakespeare
    Edited by John Ford
    Series Editor James H. Lake

    "This edition of A Midsummer Night's Dream is wonderfully lucid and thoughtful, offering supporting material that will appeal to readers from high school students to scholars. The introduction is especially thoughtful, offering, in addition to expected discussions of love, magic and imagination, an exploration of the theatrical history. The bibliography and filmography are both detailed and helpful, and the questions guide students to consider the play from many viewpoints without ever forcing an interpretation onto them."
         —Annalisa Castaldo, Widener University

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  2. All's Well That Ends Well

    William Shakespeare
    Edited by Kathleen Kalpin Smith
    Series Editor James H. Lake

    "Adding entirely new annotations to the text, providing a lucid overview of the play's production history, concluding with an instructive essay on a theatrical understanding of reading plays, and illustrated with suggestive film stills throughout, Kathleen Kalpin Smith's All's Well that Ends Well is a welcome edition to the New Kittredge Shakespeare series, richly setting the play in the context of stage and screen performance."
         —W. B. Worthen, Barnard College, Columbia University

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  3. Antony and Cleopatra

    William Shakespeare
    Edited by Sarah Hatchuel
    Series Editor James H. Lake

    "The New Kittredge Series is both a delight and a steal. Kittredge's textual authority, updated by eminent scholars sensitive to classroom needs and alert to staging choices, is once again available in these slim, elegant, inexpensive, user-friendly volumes. With lucid notes and incisive introductions geared especially to popular film versions, the series also offers an overview of both stage and film performances of each play. A must for any Shakespeare class."
         —Laury Magnus

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  4. As You Like It

    William Shakespeare
    Edited by Patricia Lennox
    Series Editor James H. Lake

    "Now, in the twenty-first century, Patricia Lennox broadens that understanding in her excellent edition of As You Like It where she draws on her knowledge of international film and television. She offers new meaning for modern readers who, while they savor Shakespeare’s language also understand visual signals from contemporary media."
         —Irene G. Dash, Hunter College, CUNY, retired

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  5. Coriolanus

    William Shakespeare
    Edited by Jeffrey Kahan
    Series Editor James H. Lake

    "Professor Jeffrey Kahan's expertise in the history of Shakespearean acting complements Kittredge's lucid [introduction and text] to create an edition of Coriolanus that centers modern readers in the play’s performance. Kahan's introduction to the edition both recounts historical performances and carefully details recent directorial choices—choices that reappear in the course of his footnotes providing acting choices for key scenes. These notes, together with photographs of compelling performances, fix the reader's imagination firmly in the midst of Shakespeare’s chilling theatrical portrayal of Republican Rome. This highly accessible edition will prove invaluable for actors, students, and lovers of Shakespeare."
         —Cyndia Clegg, Pepperdine University

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  6. Cymbeline

    William Shakespeare
    Edited by Hannah C. Wojciehowski
    Series Editor James H. Lake

    "The New Kittredge series is both a delight and a steal. Kittredge's textual authority, updated by eminent scholars sensitive to classroom needs and alert to staging choices, is once again available in these slim, elegant, inexpensive, user-friendly volumes. With lucid notes and incisive introductions geared especially to popular film versions, the series also offers an overview of both stage and film performances of each play. A must for any Shakespeare class."
         —Laury Magnus, Contributing Editor, New Kittredge Shakespeare and Hamletworks.org

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  7. Hamlet

    William Shakespeare
    Edited by Bernice W. Kliman and James H. Lake
    Series Editor James H. Lake

    "Shakespeare scholars Bernice W. Kliman and James H. Lake have carried out the important task of not only bringing up to date the text of Hamlet as edited in the last century by the celebrated Shakespearean George Lyman Kittredge but also retaining its significant features. The editors' discerning analyses of performances by Mel Gibson, Kenneth Branah, Michael Almereyda, and Simon Russell Beale drive home the point that Hamlet today remains alive but restless and unpredictable. It exemplifies Ben Johnson's Shakespeare, who '. . . was not of an age, but for all time!'"
         —Kenneth Sprague Rothwell, (1921-2010), was Professor Emeritus, University of Vermont

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  8. Julius Caesar

    William Shakespeare
    Edited by Sarah Hatchuel
    Series Editor James H. Lake

    "The New Kittredge Series is both a delight and a steal. Kittredge's textual authority, updated by eminent scholars sensitive to classroom needs and alert to staging choices, is once again available in these slim, elegant, inexpensive, user-friendly volumes. With lucid notes and incisive introductions geared especially to popular film versions, the series also offers an overview of both stage and film performances of each play. A must for any Shakespeare class."
         —Laury Magnus

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  9. King Henry the Sixth: Parts I, II, and III

    William Shakespeare
    Edited by Annalisa Castaldo
    Series Editor James H. Lake

    George Lyman Kittredge's insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials.

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  10. King John & Henry VIII

    William Shakespeare
    Edited by James H. Lake, Courtney Lehmann, and Jane Wells
    Series Editor James H. Lake

    "This is a terrific edition that really brings King John and Henry VIII to life. Consistently inviting student participation, the edition makes the plays wonderfully accessible, through explanations of the language, descriptions of context, topic guides, plot outlines, illustrations, and genealogies. A particular strength is the emphasis on performance. Thanks to the insightful histories provided, King John and Henry VIII are richly illuminated as stage and screen creations, allowing for genuinely imaginative engagement with these most fascinating Shakespearean dramas."
         —Ramona Wray, Reader in English at Queen's University, Belfast

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  11. King Lear

    William Shakespeare
    Edited by Kenneth S. Rothwell
    Series Editor James H. Lake

    "By adding comments on recorded performances to Kittredge's notes . . . [which] were fun and helpful to my early study of Shakespeare . . . Kenneth Sprague Rothwell gives students and researchers the means to explore how performance can elucidate 'the script' of King Lear."
         —Harry Keyishian, Fairleigh Dickinson University

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  12. King Richard II

    William Shakespeare
    Edited by Thomas A. Pendleton
    Series Editor James H. Lake

    "An extraordinary artistic achievement, Richard II remains one of Shakespeare's most satisfyingly ambiguous plays and expertly-penned exercises in shifting audience sympathies. Pendleton's even-handed introduction and judicious supplements to Kittredge's annotations lay out the play's issues in a way that make its delightful poignancy even more available to readers. Especially useful are Pendleton’s extensive in-text performance notes, which recount how film versions deal with the challenges and possibilities the play presents."
         —James Wells, Muskingum University

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  13. King Richard the Third

    William Shakespeare
    Edited by Jacquelyn Kilpatrick
    Series Editor James H. Lake

    "In this splendid edition, Jacquelyn Kilpatrick gives us a comprehensive primer on Shakespeare's performance craft and an ideal text for teaching Richard III, particularly to students new to Shakespeare. Her introductory materials make a century of scholarship and filmmaking both accessible to the newcomer and illuminating for the experienced student or performer. Her keen understanding of the original performance circumstances of Shakespeare's plays and insightful accounts of salient stage and film productions work together to open up the rich array of possibilities and choices in performance, both then and now."
         —Catherine S. Burriss, California State University, Channel Islands

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  14. Love's Labour's Lost

    William Shakespeare
    Edited by Jill P. Ingram
    Series Editor James H. Lake

    "This student-friendly edition of a difficult play includes a clear, helpful introduction and notes elucidating the complicated imagery and wordplay. Notes and illustrations refer the reader to various staging options enabling him or her to imagine Love’s Labour’s Lost in performance."
         —Katharine E. Maus, James Branch Cabell Professor of English Literature, University of Virginia

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  15. Macbeth

    William Shakespeare
    Edited by Annalisa Castaldo
    Series Editor James H. Lake

    "Seventy years after their publication, George Lyman Kittredge's editions of Shakespeare remain exceptional for the combination of learning, acuity, wit, and clarity he brings to his notes on the plays. Annalisa Castaldo makes Kittredge's Macbeth even more useful for modern readers by skillfully streamlining Kittredge's annotations and adding helpful analyses of the play and its film productions. There is no better edition of Shakespeare for students, beginning or advanced."
         —Dr. James Wells

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  16. Measure for Measure

    William Shakespeare
    Edited by Bernice W. Kliman and Laury Magnus
    Series Editor James H. Lake

    "This most problematic of Shakespeare's plays, a comedy filled with dark corners, has been beautifully presented by Laury Magnus and the late Bernice Kliman. Scholars will admire their editorial skill while students will benefit greatly from their ample notes, useful timeline of the play's plot, and cogent performance history. As the editors explain, the fiercely interlocked themes of the play—sex, money, justice, and religion—make this play a measure not only of Shakespeare's time but of our own."
         —Anthony DiMatteo, New York Institute of Technology

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  17. Much Ado About Nothing

    William Shakespeare
    Edited by Peter Kanelos
    Series Editor James H. Lake

    "Kittredge's admirably full notes, supplemented by Peter Kanelos's user-friendly introduction and references to film and television versions of the play, add up to a very accessible edition. I particularly liked the discussion of 'How to read Much Ado as performance,' which opens up a lot of possibilities for the student and teacher."
         —Lois Potter, Ned B. Allen Professor Emeritus, University of Delaware

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  18. Othello, The Moor of Venice

    William Shakespeare
    Edited by Gretchen Schulz
    Series Editor James H. Lake

    "This is an edition of Othello whose conversational introduction and unobtrusive but thorough notes will make the first-time visitor to the text an expert on the play. By keeping her own focus on the issue of performanceincluding her nuanced descriptions of the major filmseditor Gretchen Schulz not only helps readers see Othello in the theatre of the imagination, she helps them to direct it as well."
         —Ralph Alan Cohen, American Shakespeare Center, Co-founder and Director of Mission; Gonder Professor of Shakespeare, Mary Baldwin College

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  19. Pericles, Prince of Tyre

    William Shakespeare
    Edited by Jeffrey Kahan
    Series Editor James H. Lake

    "Kahan has presented the performance and printing issues with directness and clarity, leaving many technical details that might discourage some students to the footnotes. The result is a very readable "Introduction" to one of Shakespeare's late romances."
         —Stanley Stewart, Distinguished Professor of English, University of California, Riverside

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  20. Romeo and Juliet

    William Shakespeare
    Edited by Bernice W. Kliman and Laury Magnus
    Series Editor James H. Lake

    "This splendid edition furnishes readers, students, and theater people alike with a marvelous set of tools for appreciating the many facets of Shakespeare's play: a freshly edited text from the authoritative 1599 quarto, trenchant explanatory notes, and–best of all–insightful performance notes detailing the various ways in which individual passages have been interpreted in important films and stage productions."
         —Eric Rasmussen, University of Nevada, Reno and co-editor of the RSC Shakespeare edition

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  21. The Comedy of Errors

    William Shakespeare
    Edited by Laury Magnus
    Series Editor James H. Lake

    "Laury Magnus's edition of The Comedy of Errors is a treasure—it gives us all the footnotes Kittredge never himself wrote along with a superb collection of production photographs of a wide variety of performances and extended production notes. The introduction is comprehensive in establishing the various ideas and dimensions of a play mistakenly thought to be the simple Roman farce of a young playwright. And teachers will find the extended list of assignments as suggestively fruitful as students reading the play for the first time. This combination is a real winner."
         —Arthur F. Kinney, University of Massachusetts, Amherst

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  22. The First Part of King Henry the Fourth

    William Shakespeare
    Edited by Samuel Crowl
    Series Editor James H. Lake

    "Samuel Crowl's revision and updating of George Lyman Kittredge's edition of I Henry IV makes this useful text even more attractive to a contemporary audience of both general readers and students. Drawing on his extensive knowledge of and sensitivity to Shakespearean performance, Crowl provides a new Introduction,in addition to Kittredge's original, highlighting performance history, together with an essay on "How to Read The First Part of King Henry the Fourth as Performance," which pays particular attention to Orson Welles' Chimes at Midnight and two television productions of the play available on DVD. Crowl has lightly revised and extended Kittredge's annotations, and has added extensive performance notes where appropriate."
         —Michael Anderegg, University of North Dakota

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  23. The First Part of King Henry the Sixth

    William Shakespeare
    Edited by Michèle Willems
    Series Editor James H. Lake

    "Michèle Willems's edition of The First Part of King Henry the Sixth offers valuable insights into this little-known and puzzling play. Like G. L. Kittredge, on whose work this edition is based, she sees it as mainly Shakespearean. The play we are shown here is no simple exaltation of patriotic feeling, but, more tellingly, a somber and incisive account of a kingdom staggering under the effects of the death of Chivalry. Willems astutely sees an interaction of the play's two main plots that are centered around Lord Talbot and Joan of Arc. She rightly underscores the overwhelming presence in the play of ambivalence, contradiction, irony, and multiple angles of vision. Her account of the play in performance tells a similarly disillusioning story in theatrical terms. Illustrations from performance history help bring to life this underrated and fascinating historical saga."
         —David Bevington, University of Chicago

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  24. The Life of Henry V

    William Shakespeare
    Edited by Annalisa Castaldo
    Series Editor James H. Lake

    "The New Kittredge Series is both a delight and a steal. Kittredge's textual authority, updated by eminent scholars sensitive to classroom needs and alert to staging choices, is once again available in these slim, elegant, inexpensive, user-friendly volumes. With lucid notes and incisive introductions geared especially to popular film versions, the series also offers an overview of both stage and film performances of each play. A must for any Shakespeare class."
         —Dr. Laury Magnus

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  25. The Merchant of Venice

    William Shakespeare
    Edited by Kenneth S. Rothwell
    Series Editor James H. Lake

    "Ken Rothwell does a splendid updating of Kittredge's Merchant of Venice with considerations of the play in performance. His essay on the play's stage history is lucid, his additions to Kittredge's notes are indicative of performance choices, and, as one would expect of the preeminent scholar of Shakespeare on film, his discussion of cinematic adaptations of Merchant is richly informative. This edition should prove useful to all levels of undergraduates."
         —James Bulman, Allegheny College

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  26. The Merry Wives of Windsor

    William Shakespeare
    Edited by Jane W. Wells
    Series Editor James H. Lake

    George Lyman Kittredge's insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments—all of which are reflected in the valuable notes in each volume. The plays in the New Kittredge Shakespeare series retain the original Kittredge notes and introductions, changed or augmented only when some modernization seems necessary. These new editions also include introductory essays by contemporary editors, notes on the plays as they have been performed on stage and film, and additional student materials.

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  27. The Second Part of King Henry the Fourth

    William Shakespeare
    Edited by James Wells
    Series Editor James H. Lake

    "This is an exciting new edition, with a clear and lively introduction that succinctly captures the play's complexity and challenges. Wells' discussion of the play's relationship with Henry IV, Part One is especially thoughtful, and his attention to performance and film history is extremely valuable. The thorough and clear notes will be extremely helpful to students navigating Shakespeare's language for the first time, as well as for deepening the understanding of those who have some familiarity already. All in all, this is a valuable treatment of an often difficult play."
         —Tanya Pollard, Brooklyn College, CUNY

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  28. The Taming of the Shrew

    William Shakespeare
    Edited by Laury Magnus
    Series Editor James H. Lake

    "Laury Magnus' edition of The Taming of the Shrew is much more than a revision of Kittredge. Her splendid introduction and appendices are sensitive to the play’s language and its paradoxical nuances of gender, and she understands that the play is, after all, a love story. Her explanatory notes are excellent, but most impressive and original is her emphasis on film, theater, and television performance."
         —Maurice Charney, Emeritus, Rutgers University

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  29. The Tempest

    William Shakespeare
    Edited by John W. Mahon and John M. Mucciolo
    Series Editor: James Lake

    "Kittredge's landmark edition appears now with an insightful and informative introduction to the play, its background and its history on stage and screen, together with excellent suggestions for reading it with performance in mind and commentary on significant productions. I recommend it warmly to readers who are already familiar with the play, as well as to those approaching it for the first time." —Russell Jackson, Professor Emeritus of Drama, University of Birmingham

    “An inspired edition of Shakespeare's late masterpiece, larded with riches that are at once accessible and challenging to students of The Tempest. These riches include a masterful introduction that sets forth major and minor characters in all their complexity; great page-for-page textual and performance notes that aptly explain the play’s obscurities and showcase the many ways given scenes and speeches have been performed; an enlightening guide to the reading experience—"How to Read the Play as Performance;" and brilliant questions for thought and discussion. Mahon and Mucciolo are the perfect guides through this most wondrous and perplexing play. —Laury Magnus, Professor of Humanities, U.S. Merchant Marine Academy

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  30. The Tragedy of Antony and Cleopatra

    William Shakespeare
    Edited, with Introduction and Notes, by Jan H. Blits

    "Like the Blits edition of Julius Caesar, this new edition of Antony and Cleopatra restores one of Shakespeare's Roman plays to its rightful place among serious works of political philosophy devoted to understanding Roman politics and the characters who inhabit it. The Preface and Introduction are extremely well written. The Preface situates this edition in opposition to certain conventions of modern Shakespeare scholarship that are generally unhelpful to readers approaching the play from the perspective of political philosophy. It moreover identifies places where other editions and editors mislead the reader and bury Shakespeare's political wisdom in the process. The Introduction explores the impact of political change on the arc of Roman history, with special attention to the conditions that fostered republican Rome and the erosion of such conditions under the empire. It also provides ample opportunity to connect the politics of the play to modern political problems. The footnotes are unusually helpful for scholars interested in Shakespeare's political thought. References to relevant classical authorities such as Cicero, Livy, Plutarch, Appian, and Dio help clear the way for a more serious confrontation with the play." —Khalil Habib, Hillsdale College

    "This edition of Antony and Cleopatra gives contemporary readers access to Shakespeare's meaning as no other edition does. While other editors may provide basic information about the historical setting of the play, Jan Blits makes palpable the shape and feel of the world in which the action unfolds. His annotations citing classical authors reveal a world of possibility that would have been available to earlier generations, that Shakespeare would have taken for granted, and that is lost on readers today. His excellent Introduction frames the drama in terms of questions regarding the relative place of the public and private in the polity’s life, the claims of the universal and the national on the allegiance of citizens, and the meaning of nobility that will be highly provocative for anyone interested in Shakespeare as a political thinker." —Joseph Alulis, North Park University

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  31. The Tragedy of Coriolanus

    William Shakespeare
    Edited, with Introduction and Notes, by Jan H. Blits

    "Jan Blits's invaluable edition of Coriolanus opens up new vistas for its readers by providing rare insights into Shakespeare’s remarkable artistry and acuity in dramatizing ancient Rome—its history, its heroes, and its aspirations. In addition, Professor Blits’s references to key sources on Rome enable curious readers to conduct their own further investigations under his learned guidance. In short, Blits’s edition makes the depths of Shakespeare’s Coriolanus accessible in ways previous versions do not."
    —Vickie B. Sullivan, Cornelia M. Jackson Professor of Political Science, Tufts University

    "With this edition of Coriolanus, together with his editions of Julius Caesar and Antony & Cleopatra, Jan Blits completes his masterful trilogy of commentary on Shakespeare’s dramatic portrait of the ancient Roman Republic. His introductory essay, extensive and detailed notes to the text, and useful glossary provide readers, students, and scholars of Shakespeare’s Roman plays with a comprehensive account of the dominant themes and circumstances in the dramatic action—especially from the perspective of ancient history and political philosophy. From the foundation of the Roman Republic and its inevitable tension between extraordinary martial prowess, the pursuit of self-sufficient virtue, and republican devotion to the common good, Blits creates a compelling historical, political, and philosophical framework for understanding Shakespeare's Coriolanus and Rome." —Dustin Gish, The Honors College, University of Houston

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  32. The Tragedy of Macbeth

    William Shakespeare
    Edited, with Introduction and Notes, by Jan H. Blits

    The fourth in a series of editions of Shakespeare’s most political and history-soaked plays, this Macbeth offers copious aids to understanding the play not found in any other edition. By attending to the play’s medieval Scottish setting in a way that rival editors have never matched—when they have even dug beyond the early seventeenth-century context in which it was produced—Jan H. Blits’s edition richly rewards readers left unsatisfied by “decodings” of the play’s supposed allusions to the politics of early modern England who wish to look deeper. In doing so, it opens the text for readers to encounter, in new ways, the play’s historical, political, and psychological significance.

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  33. The Two Gentlemen of Verona

    William Shakespeare
    Edited by Matthew Kozusko
    Series Editor James H. Lake

    "Even as the New Kittredge Shakespeare series glances back to George Lyman Kittredge's student editions of the plays, it is very much of our current moment: the slim editions are targeted largely at high school and first-year college students who are more versed in visual than in print culture. Not only are the texts of the plays accompanied by photographs or stills from various stage and cinema performances: the editorial contributions are performance-oriented, offering surveys of contemporary film interpretations, essays on the plays as performance pieces, and an annotated filmography. Traditional editorial issues (competing versions of the text, cruxes, editorial emendation history) are for the most part excluded; the editions focus instead on clarifying the text with an eye to performing it. There is no disputing the pedagogic usefulness of the New Kittredge Shakespeare's performance-oriented approach."
         —Studies in English Literature, Tudor and Stuart Drama

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  34. The Two Noble Kinsmen

    William Shakespeare
    Edited by Jim Casey
    Series Editor: James Lake

    Like previous editions in the New Kittredge Shakespeare series, this edition of The Two Noble Kinsmen takes George Lyman Kittredge's text as its base, though in this case one that has been extensively edited by Jim Casey in the light of more recent editions. As Kittredge never published a free-standing edition of the play, all annotations and performance notes are Casey's and have been prepared specifically for this edition. In addition to other standard features of New Kittredge Shakespeare editions—Topics for Discussion and Further Study, a timeline, and a discussion of reading the play as performance—it offers a splendid new Introduction by Casey focusing on the themes and recent production history of this recently revived play of Shakespeare and Fletcher's.

    "This edition of The Two Noble Kinsmen is smart, accessible, and highly valuable for students and for scholars. Casey's contributions provide keen insights into the play’s multiplicities of meaning through performance history and production survey, textual study, and thematic discovery. The result is an edition that reveals this sometimes-overlooked play’s richness and complexities, and Casey’s engaging student materials will surely contribute much to the play's resurgence for new generations of readers." —Timothy Francisco, Professor of English, Youngstown State University

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  35. The Winter's Tale

    William Shakespeare
    Edited by Mark Z. Muggli
    Series Editor James H. Lake

    "The Winter's Tale is a kind of miracle play in which performance is of the essence of an exciting, imaginative, and inspiring plot embodied in visionary dialogue. In creating a course in Shakespeare Performed (2010) with his students staging an abridged Winter's Tale, Mark Muggli was in an ideal position to edit the play especially from the perspective of performance, as he did. This is a twenty-first-century edition up-to-date enough to include the Guthrie Theater's production of 2011 together with the solid twentieth-century scholarship of G. L. Kittredge. Kittredge's introduction, lightly edited, begins with Muggli's 'Spoiler Alert' about plot revelations the reader might prefer to experience first in the play itself. His notes are designed less to interpret than 'to facilitate the reader's interpretation,' and the reader and the play are primary in this presentation of The Winter’s Tale."
         —Tom Clayton, Regents Profesor, University of Minnesota

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  36. Three Shrew Plays

    Edited, with Introduction, by Barry Gaines and Margaret Maurer

    This annotated collection of three early modern English plays allows readers to explore the relationship between Shakespeare's Shrew and two closely related plays of the same genre, the earlier of which, the anonymous The Taming of a Shrew (whether inspired by Shakespeare's play or vice-versa), once enjoyed a level of popularity that likely surpassed that of Shakespeare's play. The editors' Introduction brilliantly illuminates points of comparison between the three, their larger themes included, and convincingly argues that Shakespeare's Shrew is seen all the more vividly when the anonymous A Shrew and Fletcher's table-turning The Tamer Tamed are waiting in the wings.

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  37. Timon of Athens

    William Shakespeare
    Edited by Douglas Lanier
    Series Editor: James Lake

    "Timon of Athens is one of the most enigmatic and underappreciated of Shakespeare's plays, yet its urgency for our times is not to be understated. Guided by Douglas Lanier's astute and accessible commentary throughout, this edition positions Timon in a range of historical, theoretical, and performance contexts. The superb Introduction and supplementary resources help the reader navigate key issues—ranging from money, friendship, and cynicism to art, ethics, and collaborative authorship—as well as consider contemporary adaptations on stage and screen. This edition will be a welcome resource for teachers and students at both undergraduate and graduate levels." Jay Zysk, Department of English, University of Massachusetts Dartmouth

    "Douglas Lanier's Introduction immerses us in the play's daring experiments with genre, its ethical and economic dilemmas, and its emotional and tonal range. He shows how Timon of Athens not only resonates with our troubled cultural moment but also speaks eloquently of its own times. His essay on appreciating the play as a performance script advises us expertly on how to read it as directors do and how to be alert to its radical openness to interpretation." Stephen M. Buhler, Department of English, University of Nebraska–Lincoln

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  38. Titus Andronicus

    William Shakespeare
    Edited by J. Michael Drew
    Series Editor James H. Lake

    "J. Michael Drew's edition of Titus Andronicus in the New Kittredge Shakespeare series refreshes Kittredge's text with extensive and helpful explanatory notes as well as a thorough and enlightening introduction. A distinctive and attractive feature of Drew's edition is its generously illustrated focus on Julie Taymor's famous film adaptation. With its detailed and engaging questions for further study, this is an edition perfectly designed for classroom use."
         —Matthew Wikander, University of Toledo

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  39. Troilus and Cressida

    William Shakespeare
    Edited by Toby Widdicombe
    General Editor: James H. Lake

    "The New Kittredge series is both a delight and a steal. Kittredge’s textual authority, updated by eminent scholars sensitive to classroom needs and alert to staging choices, is once again available in these slim, elegant, inexpensive, user-friendly volumes. With lucid notes and incisive introductions geared especially to popular film versions, the series also offers an overview of both stage and film performances of each play. A must for any Shakespeare class." —Laury Magnus, U.S. Merchant Marine Academy

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  40. Twelfth Night

    William Shakespeare
    Edited by Gayle Gaskill
    Series Editor James H. Lake

    "Gayle Gaskill offers appropriate tribute to G.L. Kittredge by updating his classic edition with a mastery, thoroughness, and verve worthy of the original. This excellent edition is marked by impeccable scholarship that everywhere displays careful attention to detail and keen sensitivity to the needs of modern readers."
         —John W. Mahon, Senior Editor, The Shakespeare Newsletter, and Professor of English, Iona College

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